I don’t rush the build process. There’s no push for mass production—just a deep focus on thoughtful design, careful material selection, and precision in every detail. Each guitar is shaped by hand, guided by traditional techniques and modern insights into tone and playability. From concept to final polish, every step is deliberate, ensuring that the instrument not only looks and sounds right but also feels like an extension of the player.

Letting the Materials Lead

It all starts with the wood. I handpick figured maple, genuine mahogany, and ziricote based on both structural integrity and aesthetics. If a piece doesn’t meet my standards—clean grain, ideal density, dimensional reliability—it doesn’t make the cut.

Maple needs depth and clarity in its figure, free from flaws. Mahogany must be properly quartersawn, especially for necks, ensuring long-term stability. Ziricote, a favorite for fingerboards, offers a striking natural character while being a sustainable alternative to ebony. Every choice is made with tone, durability, and beauty in mind.

Precision in the Process

I start with solid billets, milling and chambering them with exacting care. While CNC machines help with rough shaping, every carve, sand, and final contour is done by hand. This way, every surface is intentional, every line refined for playability.

Necks are reinforced with dual carbon fiber rods to prevent movement over time. Fingerboards feature a compound radius, making it easier to move across registers with precision and comfort. Every detail is about the player’s experience, ensuring a guitar that plays as well as it sounds.

Finishes that Respect the Wood

Instead of using direct stains or dyes, I apply color through tinted lacquer. This method keeps the natural depth of the wood intact while allowing for greater control over the final look. Before any color goes on, each body is sealed with blonde dewaxed shellac, which enhances the grain and sets the stage for a flawless finish.

The nitrocellulose lacquer is then polished by hand, giving the guitar a smooth, breathable feel that ages beautifully with play. As I see it:

“Nitro might not be as tough as modern polyurethane finishes, but that’s part of the magic. A guitar should develop character—earn a few battle scars. They’re meant to be played, not kept in a case.”

Crafted with Purpose

I don’t build just to fill orders. Every guitar starts with a conversation—understanding what the player needs and how craftsmanship can meet that need. It’s not about flash or gimmicks; it’s about creating an instrument that feels right in your hands and inspires you to play.

It’s about simplicity, intention, and taking the time to get it right.

Explore the 32 Series, the new JDC Semi-Hollow, and more at ClementsGuitars.com. When you’re ready, let’s start your build.